Post Production

Photo by Erix!

Are You Qualified? The Biggest Issue of Secondary Color Correction

by Steve Hullfish

For me, the biggest issue of secondary color correction is qualification. I’m not talking about whether the colorist is skilled enough to do it. I’m talking about what portion of the image you are trying to qualify—in other words, “choose”—as the section in which you make alterations. “To qualify” or “qualification” means that an area…

MP_cloud_FEAT

Postproduction – Offsite Collaboration and the Cloud

by Scott Arundale and Tashi Trieu

“The cloud” refers to a method of data storage which is by nature decentralized, offering both data redundancy and ready access almost anywhere on the planet. The concept is a little misleading since “the cloud” is not really up in the sky as the name suggests; rather, it involves remote computing from distant locations and…

Prevent App Nap.

Optimizing Your Computer for Final Cut Pro

by Tom Wolsky

Final Cut Pro Version 10.1 is designed to take advantage of the newest technologies included in Mavericks OS 10.9, particularly it takes advantage of what Apple calls Timer Coalescing and Compressed Memory, which speeds up low-level system events. Timer Coalescing allows these system events to be grouped, to happen in bursts when there is available…

smart_tools

Avid Smart Tool Functions

by Steve Hullfish

Avid editors have certainly used the Timeline for decades, but Avid has always been much more conducive to keyboard editing. Final Cut Pro editors—and I realize that I’m generalizing—are often much more comfortable moving and trimming their sequences using the arrow tool and the Timeline trimming functions to drag segments and transitions quickly and efficiently…

Modern_pitfalls_Feat

Avoiding Pitfalls in Production that Affect Post

by Scott Arundale and Tashi Trieu

Workflow Best Practices When making critical pre-production decisions about the type of camera and workflow to utilize, a good place to start is determining both your editing format and the eventual exhibition format for the project. For a web or mobile audience, shooting 4K is overkill and will result in an expensive post-production process for…

Location_1

DSLR Cameras and Location Audio

by Dean Miles

DSLRs have become the choice of many camera operators worldwide. The Internet is loaded with footage, good and bad, shot with these types of cameras. The pictures are great. The audio . . . not so much. With audio being an afterthought, the ability to record quality sound with any consistency is impossible. I’m having…

Scriptsync_2_FEAT

Avid’s ScriptSync – An Overview

by Steve Hullfish

If you have a script, you can import it into Media Composer. With the script imported, it is then possible to link specific shots and takes to exact portions of the script. This is similar in appearance to a traditionally marked-up script from a script supervisor. Actually, you or an assistant editor can use those…

Trouble_FEAT

Dialogue Editing – The Trouble with Digital Picture

by John Purcell

In theory, a picture file in a computer will flawlessly sync with a DAW session playing from the same computer. Sometimes it does. Other times, picture or sound will be systematically delayed. Or sync may be spot on one time you hit play, and soft the next. Or worst of all, sound and image may…

grain_1

Film Grain in Postproduction – Bringing Texture Back

by Kurt Lancaster

A form of postproduction that can be applied to CinemaDNG files is film grain. For some, the idea of shooting in raw reflects in some ways an approach to filmmaking that harkens back to the days of working on film. What is lost in digital filmmaking involves the loss of texture. Film grain is one…

dialogue_1_FEAT

Shot Transitions When Editing Dialogue Tracks: Basic Rules of Thumb

by John Purcell

Moving smoothly from shot to shot is what makes a scene believable. Managing noise is what makes a scene bearable. Keeping processing to a minimum is what makes a scene natural. Balance these competing interests and a scene will work. There are a few overarching principles that are common to all edits from one shot…

Latest Tweets

Stay Informed

Click here to register with Focal Press to receive updates.


about MasteringFilm

MasteringFilm, powered by bestselling Focal Press authors and industry experts, features tips, advice, articles, video tutorials, interviews, and other resources for aspiring and current filmmakers. No matter what your filmmaking interest is, including directing, screenwriting, postproduction, cinematography, producing, or the film business, MasteringFilm has you covered. You’ll learn from professionals at the forefront of filmmaking, allowing you to take your skills to the next level.